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- Who dunnit? What did they do? Who cares? – Anatomy of a Murder
- Just like a romantic comedy
- Abuse never looked as beautiful as it does in Gilda
- The Rainmaker (1956)
- Gaslight (1944)
- 20 Movies: The Truman Show (1998)
- After the Thin Man (1936)
- Film noir means B-movies like The Hot Spot
- Man of the World (1931)
- My Man Godfrey (1936)
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Blog under the Creative Commons Attribution 3.0 License
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William Powell:
- Man of the World (1931)
- Evelyn Prentice (1934)
- The Thin Man (1934)
- Libeled Lady (1936)
- My Man Godfrey (1936)
- After the Thin Man (1936)
- Double Wedding (1937)
- Another Thin Man (1939)
- I Love You Again (1940)
- Shadow of the Thin Man (1941)
- Love Crazy (1941)
- The Thin Man Goes Home (1945)
- Song of the Thin Man (1947)
- Mister Roberts (1955)
Archives
Tag Archives: Noir
The brusque and harebrained Illegal
Edward G. Robinson was one helluva a good actor. He even makes this exercise in the absurd and perfunctory a crime drama you can watch, even enjoy at moments. Often found in film noir collections, it isn’t noir. In a … Continue reading
Posted in Crime
Tagged b movie, crime, crime drama, deforest kelly, dramatic thriller, Edward G. Robinson, exposition, femme fatale, film noir, lewis allen, melodrama, mobster, nina foch, Noir
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Can a film noir be too perfectly noir?
I think I’m one of the few people who doesn’t care much for Out of the Past. It may be that for me the closer a movie gets to film noir, the less it appeals to me. I can’t argue … Continue reading
Posted in Noir
Tagged ann miller, bona fides, conflict, Daniel Mainwaring, ebert, exposition, femme fatale, film noir, film noirs, flashback, Frank Fenton, genre, hero, imagery, Jacques Tourneur, jane greer, jeff bailey, Jeff Markham, Jeff Schwager, Kathie Moffat, Noir, Piddleville, review, Robert Mitchum, roger ebert, romantic interest, screenplay, story, virginia madsen
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Out of the Past (1947)
Directed by Jacques Tourneur Often regarded as one of the quintessential film noirs, if not the film noir, Out of the Past is a movie I have a difficult time watching despite its bona fides. Perhaps it is because of … Continue reading
Tagged ann miller, bona fides, conflict, Daniel Mainwaring, ebert, exposition, femme fatale, film noir, film noirs, flashback, Frank Fenton, genre, hero, imagery, Jacques Tourneur, jane greer, jeff bailey, Jeff Markham, Jeff Schwager, Kathie Moffat, Noir, Piddleville, review, Robert Mitchum, roger ebert, romantic interest, screenplay, story, virginia madsen
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When style beats the pants off of story
Among the many fascinating and, in this case, amazing things about The Maltese Falcon is that it was the first film for Sydney Greenstreet who was 62 years old at the time. Can you imagine any actor today getting a … Continue reading
Posted in Noir
Tagged 1941, actor, actors, angles, avarice, bad guys, biggest stars, Bogart, brigid, Casablanca, code of honour, dialogue, expressionist style, Film, film noir, Fritz Lang, gangster, german expressionist, gutman, High Sierra, hollywood, homage, honor, humor, humour, humphrey bogart, joel cairo, John Huston, john huston movie, kaspar, Kaspar Gutman, maltese falcon, mary astor, Noir, peter lorre, review, Rick, Rick Blaine, sam spade, screenplay, story, sydney greenstreet
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The Maltese Falcon (1941)
Directed by John Huston Has any movie ever produced as many imitations, and such an array of imitations, as The Maltese Falcon? * The movie itself has been imitated both in live action and animation. The characters have been imitated … Continue reading
Tagged 1941, actor, actors, angles, avarice, bad guys, biggest stars, Bogart, brigid, Casablanca, code of honour, dialogue, expressionist style, Film, film noir, Fritz Lang, gangster, german expressionist, gutman, High Sierra, hollywood, homage, honor, humor, humour, humphrey bogart, joel cairo, John Huston, john huston movie, kaspar, Kaspar Gutman, maltese falcon, mary astor, Noir, peter lorre, review, Rick, Rick Blaine, sam spade, screenplay, story, sydney greenstreet
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High Sierra (1941)
Directed by Raoul Walsh The movie High Sierra is notable and highly watchable for a number of things not the least of which is its status as Humphrey Bogart’s first starring role. It’s the one that placed him pretty firmly … Continue reading
Tagged actor, audience, bad guys, best performance, bogart film, bogart movies, bogie, crime, dichotomy, Director, director raoul walsh, Film, film noir, gangster, George Raft, good guys, High Sierra, humphrey bogart, huston, ida lupino, John Huston, maltese falcon, movie, Noir, Paul Muni, raoul walsh, roy earle, screenwriter, stefan kanfer, stone cold killer, story, truman capote, warner brothers
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High Sierra: When the bad guy is the good guy
I recently finished reading Stefan Kanfer’s Tough Without a Gun: The Life and Extraordinary Afterlife of Humphrey Bogart. (The title is from something Raymond Chandler said of Bogart.) So of course, I’m back to watching Bogart movies, at least for … Continue reading
Posted in Movies, Noir
Tagged actor, audience, bad guys, best performance, bogart film, bogart movies, bogie, crime, dichotomy, Director, director raoul walsh, Film, film noir, gangster, George Raft, good guys, High Sierra, humphrey bogart, huston, ida lupino, John Huston, maltese falcon, movie, Noir, Paul Muni, raoul walsh, roy earle, screenwriter, stefan kanfer, stone cold killer, story, truman capote, warner brothers
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