Edward G. Robinson was one helluva a good actor. He even makes this exercise in the absurd and perfunctory a crime drama you can watch, even enjoy at moments. Often found in film noir collections, it isn’t noir. In a way, it’s screwball comedy without the humour.
This movie is filled with fascinating imagery as Michael Mann presents a nocturnal vision of the city that is dark and threatening. It also has a key image, the coyote, that I think many people misremember. If you look at it closely, it’s not quite the image you think you saw and its meaning is very different when you really see what Michael Mann show us.