Predator and prey and packs in Collateral

This movie is filled with fascinating imagery as Michael Mann presents a nocturnal vision of the city that is dark and threatening. It also has a key image, the coyote, that I think many people misremember. If you look at it closely, it’s not quite the image you think you saw and its meaning is very different when you really see what Michael Mann show us.

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Even big stars can’t bring sense to a muddle

I’ve twice seen the 1953 movie Dream Wife recently and have twice had the same the same response. It just isn’t a very good movie. Even stars like Cary Grant and Deborah Kerr can’t save it, though they do make it more palatable.

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