This movie is filled with fascinating imagery as Michael Mann presents a nocturnal vision of the city that is dark and threatening. It also has a key image, the coyote, that I think many people misremember. If you look at it closely, it’s not quite the image you think you saw and its meaning is very different when you really see what Michael Mann show us.
Call it a tall tale, a shaggy dog story or any of the other variations, this is a movie that uses exaggeration and fable to tell a story that centres around another romantic tall tale. And it works much better now, ten or more years later, with distance from the marketing and celebrity media atmosphere that surrounded it when released.
Maybe the reason I like this movie so much is because when I first encountered it I was sure I would absolutely hate it. It is such a piece of candy. It is such a piece of Hollywood fluff. It is so like a video … How could I like it? It is so pink!
I think I’m one of the few people who doesn’t care much for Out of the Past. It may be that for me the closer a movie gets to film noir, the less it appeals to me. I can’t argue with any of the superlatives used to describe this one. But despite all it does right in terms of noir, I can’t get terribly enthused.
I remember the summer Jaws came out and I remember you couldn’t get away from it. Everyone did that John William’s four note theme: da-da, da-da … Everyone saw the movie; TV was filled with it; shark sightings were popping up like coffee shops. But that was over 35 years ago. The hoopla subsided. What is left is a movie that is a brilliant example of craft.
I don’t thing many people would argue that Hondo is the best of John Wayne’s movies. Similarly, I don’t many will argue against it being among his best both as a western and as a performance from Wayne. But if ever there was a movie that illustrated what John Wayne did onscreen, how he came across and essentially provided a definition for those words “John Wayne,” it’s Hondo.
I watched Steven Spielberg’s Catch Me If You Can yet again (third time) over the weekend and now I’m back to my original opinion (as opposed to the one expressed below). Despite being promoted as ‘fun,’ and despite the sixties style ‘fun’ animation of the title sequence, this is really a rather somber story of a young man desperate to save his father from a marriage and life that are disintegrating.