Such a study in contrasts! On TCM the other night there were a few William Holden movies running. I tuned in as they were running the marvelous Sunset Boulevard, one of my favourite movies. It was followed by the movie below and … oh my!
Relationships, sex, communists and, somewhere off camera ,World War II — The Male Animal from 1942 is a curious film to say the least. It comes with some pretty impressive credentials, however, including its stars as well as its origins: based on a play by James Thurber and a screenplay with writers that included the Epstein brothers.
There are certain movies I can make a reference to and people immediately know the film and usually recall it with a smile — if not outright laughter. Dirty Rotten Scoundrels is one of those movies. It didn’t change the world of movie making when it came out and didn’t win any awards. It simply did what most movies hope to do: get seen, be appreciated and remembered.
At the end of this I make an admission — but why wait? I prefer Heaven Knows, Mr. Allison to the better known The African Queen, two movies from the same director (John Huston) and superficially similar. I like this movie and always have. But be warned! It’s a quiet one; it’s characterized by restraint.
About three weeks ago I watched The Social Network. I have to watch it again soon because the first experience came as a surprise. It did nothing for me.
It seems like it should be a great story. First World War. Female spy using sex to steal secrets. Executed in the end. Amidst all that? The devious user of love for espionage falls in love herself (as the movies would have it). The result, however, is not so much great as peculiar.